Det kroppslige arkivet: Om minnepraksisen i Mette Edvardsens En lys sommers usigelige smerte Essay by by Nina Helene Jakobia Skogli, published in Teatervitenskapelige studier (2023). ⇲ Norwegian Nothing in our way Essay by Emilyn Claid, published in FALLING through life and dance (2021). ⇲ English Movement through Language: A Reflection on the Use of SpokenText in Dance Performances Essay by Rosa Lambert, published in critical stages (2019). ⇲ English En særegen form for oppmerksomhet Essay by Melanie Fieldseth, published in Teatervitenskapelige studier (2019). ⇲ Norwegian Towards a Poetics of Imagination. Essay by Bojana Cvejic, published in e-tcetera (2018). ⇲ English The exigence of holes nests time: A collection of boundary objects for Mette Edvardsen. Essay by Jeroen Petters, published in Something Some things Something else (2019). ⇲ English Real fictions: Time has fallen asleep in the afternoon sunshine. Essay by Victoria Pérez Royo, published in KUNSTENFESTIVALDESARTS (2013). ⇲ English The match / in accordance with orders / communicated burning. Essay by Bruno De Wachter, published in in the Belgian literary journal nY (2013). ⇲ English Living Books: More than a sheaf of pages. Essay by Philip Holyman, published in the Rep/ Birmingham (2012). ⇲ English Something to hold onto. Essay by Jeroen Peeters, published in FISCo 11 'Segue' by Xing (2011). ⇲ English Mette Edvardsen: Stills and other works. Essay by Mårten Spångberg, published in FISCo 6 'Figura N°' by Xing (2006). ⇲ English Rewritten spaces. Essay by Melanie Fieldseth, published in 3t magazine (2006). ⇲ English
Tre spørsmål til Mette Edvardsen. Interview by Sara Wegge, published by Black box teater (2023). ⇲ English Soft spaces – an interview on expanded choreography with Mette Edvardsen. Interview by Karin Hald, published in Bastard (2022). ⇲ English chats in ten questions 11: Mette Edvardsen. Interview with mehmet kerem ozel, published in Danzon (2020). ⇲ English Some questions to Mette Edvardsen. Interview by ATP Diary. ⇲ English Interview about Black in Zagreb, Croatia. Interview by Spider. ⇲ English ART PRACTICE AS ECO SYSTEM QUESTIONNAIRE. Interview by Chrysa Parkinson. ⇲ English Interview for Kaaitheater. Interview by Carla Defranq. ⇲ English Interview in BELLYFLOP Magazine for Dance Umbrella. Interview by Eleanor Sikorski. ⇲ English I don't think we make things alone, even when we are alone. Interview by Eva Decaesstecker. ⇲ English Levende bøker. Interview by Sara Hammer. ⇲ Norwegian 10 spørsmål til Mette Edvardsen. Interview by Sindre Jacobsen. ⇲ Norwegian
Kunst som afkræver opmærksomhed – Livre d´images sans images. Review by Karin Hald, pubilshed in Bastard (2023). ⇲ Danish HC Andersens berättelse blir en berörande performancetimme på MDT. Review by Maina Arvas, published in Dagens nyheter (2023). ⇲ Swedish Det motsatte av et svart hull. Review by Venke Sortland, published in Norsk Shakespeare tidsskrift (2023). ⇲ Norwegian Livre d’images sans images – L’ivresse des profondeurs / Stamsund Theatre festival 2023. Review By Francesco Chiaro, published in Teatro persinala (2023). ⇲ English Den billedlige sannheten. Review by Julie Rongved Amundsen, published in scenekunst.no (2023). ⇲ Norwegian
A dance of word. Review by Andrew Fuhrmann, published in witness performance (2020). ⇲ English Penelope Sleeps – Mette Edvardsen and Matteo Fargion. Review by Rudi Laermans, published in e-tcetera (2019). ⇲ English ⇲ Dutch Nyansenes dramatikk. Review by Anette Therese Pettersen, published in scenekunst.no (2019). ⇲ Norwegian Meteor Festival, Bergen. Review by Alice Saville, published in exeuntmagazine (2019). ⇲ English Festivalen med mange rom. Review by Judith Dybendal, published in scenekunst.no (2019). ⇲ Norwegian
Friskt, meditativt og monotont. Review by Elin Lindberg, published in Norsk Shakespeare tidsskrift (2019). ⇲ Norwegian Reisen til nattens ende. Review by Chris Erichsen. ⇲ Norwegian Festivalen som et kollektiv. Review by Anette Therese Pettersen. ⇲ Norwegian
Scenrecension: Upprepningens komiska helvete. Review by Josefine Wikström, published in Dagens Nyheter (2019). ⇲ Swedish Tid och rum förskjuts i hypnotiskt återberättande. Review by Thomas Olsson, published in Svenska Dagbladet (2019). ⇲ Swedish Recension: Mette Edvardsen, Oslo. Review by Klas Trollius, published by Linnee universitetet (2018). ⇲ Swedish A welcome intrusion on a purely physical aesthetics. Review by Fransien van der Putt. ⇲ English Writing in three dimensions. Review by Venke Sortland. ⇲ English The high points of the fifth edition of Performatik17. Review by Ive Stevenheydens. ⇲ English A letter: Oslo | Black. Review by Diana Damian Martin. ⇲ English
To not be or not not to be? Review by Ragni Vik Johnsen. ⇲ English
A letter: Oslo | Black. Review by Diana Damian Martin. ⇲ English Speaking Bodies, Plural Voices at Arnolfini. Review by Laura Burns. ⇲ English Dance Umbrella, Andros Zins-Browne & Mette Edvardsen. Review by Jeffrey Gordon Baker. ⇲ English Mette Edvardsen: Black. Review by Eleanor Sikorski and Hollie Miller. ⇲ English Eloquence with Mette Edvardsen. Review by Thomas Olsson. ⇲ English “Black” at MDT. Review by Örjan Abrahamsson. ⇲ English Walking on thin ice, or how Mette Edvardsen and Ivo Dimchev don’t need much to draw you in. Review by Hans-Maarten Post. ⇲ English
Yleisöstä esityksen sisään – residenssiblogit 7. Review by Maaria Sainio, published in Kritiikki näkyy (2023) Review by Maaria Sainio, published in Kritiikki näkyy (2023). ⇲ Finnish Festivalrecension: Varsågod, en konstupplevelse – men tankearbetet är upp till dig själv. Review by Tove Djupsjöbacka, published in HBL (2022). ⇲ Swedish Liikkeellä marraskuussa – pitkäkestoisesti sitoutuneena ja yhteen kytkeytyneenä. Review by Hanna helavori, published in hannahelavuori.com (2022). ⇲ Finnish Friske impulser. Review by Grace Tabea Tenga, published in scenekunst.no (2021). ⇲ Norwegian Grāmatas jālasa lēni. Review by Alīse Vorobeja, published in punctum magazine (2020). ⇲ Latvian Kunstkritikk's Advent Calendar. Review by Susanne Christensen, published in kunstkritikk (2019). ⇲ English ⇲ Danish Hidden publics. Review by Heidi Bale Amundsen, published in kunstkritikk (2019). ⇲ English Entre les lignes. Review by Jérôme Provençal. ⇲ French A livres ouverts au Kunstenfestivaldesarts. Review by Gilles Renault. ⇲ French Candid Bergen. Review by Claudia La Rocco. ⇲ English Mette Edvardsen, Time Has Fallen Asleep in the Afternoon Sunshine. Review by Julie Solovyeva and Alice MacKenzie. ⇲ English Mette Edvardsen, Time Has Fallen Asleep in the Afternoon Sunshine. Review by Nicholas Minns. ⇲ English Avmaktsvariasjonene. Review by Sigurs Ziegler. ⇲ Norwegian Mette Edvardsen, Time Has Fallen Asleep in the Afternoon Sunshine. Review by Diana Damian. ⇲ English Time has Fallen Asleep in the Afternoon Sunshine. Review by Lyn Gardner. ⇲ English Time has Fallen Asleep in the Afternoon Sunshine. Review by Natasha Tripney. ⇲ English On Saturday I met a book and rediscovered both theatre and reading. Review by Jo Verrent. ⇲ English Time has fallen asleep in the afternoon sunshine. Review by Anette Lundebye. ⇲ English Birmingham Central Library brings books to life with live recitals. Review by Miranda Kiek. ⇲ English Why do you scream if no one hears you? Poetisk fortvilelse på Marstrandfestivalen. Review by Chris Erichsen. ⇲ Nowegian
Smart experiments with time and space. Review by Anna Ângstrøm. ⇲ English Reading a book while watching a performance? Review by Hans-Maarten Post. ⇲ English The Play Behind the Book and Vice Versa. Review by Jonathan Van den Broeck. ⇲ English
The existence of something else. Review by Jeroen Peeters. ⇲ English Everything comes back. Review by Jolien Van de Velde. ⇲ English Exercise in pure perception. Review by Julie Rodeyns. ⇲ English
Representations of dance. Review by Melanie Fieldseth. ⇲ English
Mette Edvardsen, Bologna, Raum. Review by Piersandra Di Matteo. ⇲ English
Mette Edvardsen, Bologna, Raum. Review by Piersandra Di Matteo. ⇲ English Close things. Review by Marit Strømmen. ⇲ English